{"id":5201,"date":"2026-02-28T06:11:00","date_gmt":"2026-02-28T06:11:00","guid":{"rendered":"https:\/\/interfinance.tsue.uz\/?p=5201"},"modified":"2026-04-05T06:13:25","modified_gmt":"2026-04-05T06:13:25","slug":"great-britain-experience-in-creative-economy-development","status":"publish","type":"post","link":"https:\/\/interfinance.tsue.uz\/?p=5201","title":{"rendered":"GREAT BRITAIN: EXPERIENCE IN CREATIVE ECONOMY DEVELOPMENT"},"content":{"rendered":"\n<p><em>Daminova Madinaxon Bahromjon qizi,<\/em><\/p>\n\n\n\n<p><em>PhD Student, Department of &#8220;Econometrics&#8221; Tashkent State University of Economics,<\/em><\/p>\n\n\n\n<p><em>&nbsp;Email: <\/em><a href=\"mailto:daminovamadina1992@gmail.com\"><em>daminovamadina1992@gmail.com<\/em><\/a><em><\/em><\/p>\n\n\n\n<p><em>ORCID: 0009-0003-4705-8576<\/em><\/p>\n\n\n\n<p><strong>Abstract:<\/strong><strong> <\/strong>This article examines the theoretical and practical foundations of the creative economy, one of the most dynamic sectors of the modern global economy. The study analyzes the history of the &#8220;creative industries&#8221; concept, focusing on the UK experience, its 13 key sectors, and the pivotal role of intellectual property in generating economic value. By utilizing historical, empirical, and comparative analysis methods, the article highlights the distribution of gross value added (GVA) across creative sectors and their growth over the years Based on international best practices, the paper provides strategic recommendations and conclusions for diversifying Uzbekistan&#8217;s economy and fostering creative entrepreneurship.<\/p>\n\n\n\n<p><strong>Key words:<\/strong> Creative economy, creative industries, intellectual property, UK experience, creative entrepreneurship, cultural heritage, digital technologies, economic growth.<\/p>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/interfinance.tsue.uz\/wp-content\/uploads\/2026\/02\/26Daminova-Madinaxon.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed of 26+Daminova Madinaxon.\"><\/object><a id=\"wp-block-file--media-5c55f900-7c50-46ed-81c2-355c5cc7f676\" href=\"https:\/\/interfinance.tsue.uz\/wp-content\/uploads\/2026\/02\/26Daminova-Madinaxon.pdf\">26+Daminova Madinaxon<\/a><a href=\"https:\/\/interfinance.tsue.uz\/wp-content\/uploads\/2026\/02\/26Daminova-Madinaxon.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-5c55f900-7c50-46ed-81c2-355c5cc7f676\">Download<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Daminova Madinaxon Bahromjon qizi, PhD Student, Department of &#8220;Econometrics&#8221; Tashkent State University of Economics, &nbsp;Email: daminovamadina1992@gmail.com ORCID: 0009-0003-4705-8576 Abstract: This article examines the theoretical and practical foundations of the creative economy, one of the most dynamic sectors of the modern <a href=\"https:\/\/interfinance.tsue.uz\/?p=5201\" class=\"read-more\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow2__KDA:productID":"","footnotes":""},"categories":[73],"tags":[],"class_list":["post-5201","post","type-post","status-publish","format-standard","hentry","category-2026-1-issue-1-6"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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